The Color of Light: An Artist's Blog

Ah, Pastelmat - I have such a love/hate relationship with this interesting paper. Some of my finest works have been created on it, but I also have a larger pile of used Pastelmat sitting in the "didn't make it" bin than any other substrate

There's nothing quite like this paper. It holds a mark like no one's business, which can be a blessing or a curse. In my opinion, it does not hold that many layers of pigment. If I really want to go bold I reach for my beloved La Carte - arguably my favorite substrate of all time. However, when I can get Pastelmat to work in my favor, magic can be made. 

I find that I must plan a bit more with this paper (and I'm not big on planning). Perhaps it's because of its ability to hold a mark so well, and I can't just brush off something I don't like. It lends such a soft quality to the work, almost like velour (which is one substrate I do not work on - I just don't like it). Although I love the soft quality of Pastelmat, I find I must choose my subject wisely when using this paper. If I want an edgy raw look, I don't use it. But I find myself reaching for it almost exclusively when I want to create a sky piece. 

I'll continue using it because when a painting is successful on it, it's REALLY successful.