The Color of Light: An Artist's Blog

11/10/2020 7:45:20 AM

Using toned paper

Kim Eshelman / 2 Comments

A new day, 16"x12"
A new day, 16"x12"

I love working on a toned ground. It not only adds depth to a painting, it does a lot of the work. A great example is this piece I recently completed. It's a view of my house in the morning, looking down from a grove of trees in the front yard. 

 

I decided to try out a new paper I'd never used before, Pastel Premiere. While it is quite abrasive and ate up my pastels, I really enjoyed how it grabbed the pigment. And I loved in particular the vibrant red tone of this paper. I allowed areas of the red color to shine through in the final piece, expecially in the area of interest - the house. 

 

It works to have those bits of red shining though in areas (see the the upper window and around the garage doors) because while it is not the local color  the actual color of the object), it is a similar value. So I was able to let a bit of that unexpected red peek through while still keeping the value structure believable. 

 

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2 Responses to Using toned paper

yes .. the first thing i do when beginning my oil or acrylic paintings is to obliterate the whiteness of the gesso primer with a ground coat of paint .. usually, from the leftovers on my palette of the previous painting .. i work with this, in the same way as you, with your toned papers .. i believe my transition from paints to pastels will be quite easy ;-)

Hi Clif! Yes, using a toned ground is a great way to work in any medium (except perhaps watercolor)!


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